Thursday, 30 September 2010

METALLICA - Master of Puppets (Roadrunner-MFN Dutch first pressing)(24bit RX MBit Remaster 2009)

From Wikipedia, the free encyclopedia

Master of Puppets Coverart

Studio album by Metallica

Released: March 3, 1986
Recorded: September 1 – December 27, 1985 at Sweet Silence Studios, Copenhagen, Denmark
Genre: Thrash metal
Length: 54:45
Label: Elektra, Music for Nations, Vertigo
Producer: Metallica, Flemming Rasmussen

Singles from Master of Puppets:

1. "Master of Puppets"
Released: 1986
2. "Battery"
Released: 1986
3. "Welcome Home (Sanitarium)"
Released: 1986

Master of Puppets is the third studio album by the American thrash metal band Metallica. It was released on March 3, 1986 through Elektra Records in the US. The EEC was being served through Music for Nations and Roadrunner Records. The album reached #29 on the U.S. Billboard 200 album chart and was the band's first Gold record for sales of over 500,000 copies. This was done without any radio airplay or the release of a music video. The album eventually sold over six million copies in the United States and was certified 6x platinum by the RIAA.[1]

Master of Puppets marks the last Metallica album with bassist Cliff Burton, who was killed in a bus accident while on tour to promote the album. Master of Puppets met with critical acclaim at the time of its release. The album is considered a classic thrash metal album by fans, critics, and the band members themselves alike, and is also considered one of the greatest thrash metal albums of all time.

• 1 Reception and legacy
• 2 Track listing
• 3 Personnel
o 3.1 Production

Reception and legacy

Allmusic's Steve Huey commented that Master of Puppets "was the band's greatest achievement." "Some critics have called Master of Puppets the best metal album ever recorded", Huey noted.[6]
Master of Puppets has been featured on several "greatest albums of all time" lists. The album is present in the list "The All-TIME 100 Albums" published by TIME magazine in November 2006.[7] In TIME critic Josh Tyrangiel's opinion, "Metallica didn't bother with hooks or pop discipline" in writing Master of Puppets.[7] IGN ranked it #1 in a list of the "Top 25 Metal Albums" issued in January 2007.[8] The album is featured in the book 1001 Albums You Must Hear Before You Die and Q magazine counted it among the 50 heaviest albums of all time. In 2003, the album was ranked number 167 on Rolling Stone magazine's list of the 500 greatest albums of all time. The album has frequently been tagged by critics as "one of the most influential thrash metal albums of all time."[9]

As an early parody of the PMRC's "explicit lyrics" warning labels, many prints of Metallica's 1986 release of Master of Puppets sported an octagonal sticker on the front saying:
"The only track you probably won't want to play is "Damage, Inc." due to the multiple use of the infamous "F" word. Otherwise, there aren't any "Shits", "Fucks", "Pisses", "Cunts", "Motherfuckers" or "Cocksuckers" anywhere on this record." (Six of George Carlin's Seven Dirty Words)[10]

To celebrate the 20th anniversary of its release, Metallica played the album in its entirety on their Escape from the Studio '06 tour for the first time ever at the Rock am Ring festival on June 3, 2006. These concerts included the first-ever complete performances of the instrumental "Orion" (previously only portions of the song's lengthy middle section had been performed onstage as part of instrumental medleys and bass solos).

The title track was ranked #51 in "The Greatest Guitar Solos" from Guitar World. In 2006, the album was voted the fourth "greatest guitar album of all time" in Guitar World. The April 5th edition of Kerrang! was dedicated to it, providing readers with the cover album "Master of Puppets: Remastered". In March 2007, the guitar magazine Total Guitar ranked the 100 greatest riffs of all time and the main riff of the album's title track was ranked number one.

"Damage, Inc." is the last of four songs to feature writing from all members of the Cliff Burton-Kirk Hammett era of Metallica.
Every song from this album except "Leper Messiah" and "Damage, Inc." is playable on the music video game Guitar Hero: Metallica. The song "Battery" is featured as a playable track on Rock Band 2.
ESPN has used the title track "Master of Puppets" to promote the NASCAR Nationwide Series.
The title track "Master of Puppets" is featured in the 2003 comedy film "Old School", starring Luke Wilson, Vince Vaughn and Will Ferrell.

Track listing
All lyrics written by James Hetfield.

1. "Battery" James Hetfield, Lars Ulrich 5:11
2. "Master of Puppets" Hetfield, Ulrich, Kirk Hammett, Cliff Burton 8:34
3. "The Thing That Should Not Be" Hetfield, Ulrich, Hammett 6:35
4. "Welcome Home (Sanitarium)" Hetfield, Ulrich, Hammett 6:26
5. "Disposable Heroes" Hetfield, Ulrich, Hammett 8:16
6. "Leper Messiah" Hetfield, Ulrich 5:38
7. "Orion" (Instrumental) Hetfield, Ulrich, Burton 8:25
8. "Damage, Inc." Hetfield, Ulrich, Hammett, Burton 5:30


James Hetfield — lead vocals, rhythm guitar, 1st guitar solo on "Master of Puppets", 2nd guitar solo on "Orion"
Kirk Hammett — lead guitar
Cliff Burton — bass, backing vocals, lead bass on "Orion"
Lars Ulrich — drums


Flemming Rasmussen — producer, engineer
Michael Wagener — mixing
George Marino — mastering

for more info on Master of Puppets or Metallica visit the
wikipedia entry


Notes on this release:

New vinyltransfer using the original first Dutch pressing (Roadrunner Records/CBS catalognumber: RR9717 - stampers: RR9717 A1 + RR9717 B1).

Quality of record is near pristine.

Nothing much to say about it. The only thing that is not perfect on this pressing is that the vinyl is not dead quiet. There is a small amount of hum noticeable coming from the friction between the needletip and the surface of the vinyl. Nothing too disturbing and a pretty common effect but since this album is very dynamic, with very quiet passages as well as huge walls of sound, I decided to gently remove this hum where it became noticeable. I used the brilliant trainable noise removal tool in iZotope RX for this. The remains of the frequency spectrum were left untouched.


EddylitE – September 2010

©2010 - Hipper than Hell Records
* Eddy_litE appears courtesy of himself * You have been Aped

"The music in this package was originally recorded on analog equipment.
We have attempted to preserve, as closely as possible, the sound of the original recording.
Because of the high resolution, however, these files can reveal limitations of the source."


Turn Me Up!

To preserve the excitement, emotion and dynamics of the original performances this record is intentionally quieter than some. For full enjoyment simply Turn Me Up! (


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Wednesday, 3 March 2010

HIPPER THAN HELL REVIEW: MASQUE OF DEATH - Ivory Cities (MCD/digital download)

MASQUE OF DEATH - Ivory Cities(MCD/digital download) | Spain | February 2010 | Eddy_litE | Style: Catchy & Melodic Death Metal | Running time: 0:34:59 (tracks: 6)

Sofía Ruiz & Masque of Death

If Century Media had been sending me this gorgeous debut by Madrid's Masque of Death it would've been their most impressive release since Lacuna Coil's "In a Reverie" from 1999. But they didn't. In fact this band is unsigned. And although I think that Century Media would be the best match for this promising combo, I am afraid for the event to happen. But then again, this EP has Century Media written all over it already. The quality of the songwriting, the arrangements, the artwork and the sheer art of persuasion, it is top-notch all the way.

The Masque of Death origins date back to mid 2004, when singer/composer/guitarist Sofía Ruiz and drummer Abel Ramos met at a local University and decide to mount a music group. After several years of trying different styles with various musicians, the two decide to start a melodic metal project. After considering different options the name Masque of Death is chosen for the project, a derivation of the original idea of Sofia, Masquerade of Death, which was discarded as being too long. The last year has been nervewrecking for the band because they were still studying but great leaps have been travelled to this very day. Not literally, but in the landscape of creativity and defining the coup. As I said before, this MCD must be the most impressive DIY product I have had the pleasure of absorbing in years, maybe even of all time. Yep, it's that good!

Part of the charm comes from Sofía. Not only is she very pretty to look at but her voice will make anyone surrender within the first minute. Cristina Scabbia could be a good reference to give you an idea in which section to look. But as much as I love Miss Scabbia and her Italian posse, she has been poked off the throne by Sofía's mesmerizing voice last week when this masterpiece arrived here. Why I call it a masterpiece, you ask me. Well, what if Within Tempation had the voraciousness of Arch Enemy, and Megadeth the cuteness of The Gathering? Well, then you'd have Masque of Death! Yep, it's that good!

Lyrically, Masque of Death reads like the best Jostein Gaarder novel "Sofies verden". Visually this is pretty much drop dead gorgeous. And musically this album has it all. Melody, attack, adventure, mystique, graciousness, vulnerability, catchiness, heavyness, control and balance. And a sometimes unpredictable blackhaired atomic kitten. I would've provided info on which track is the best then. But I simply can't. Opener "Abeyance" is a good candidate for being the favorite with it's marvelous solo's and massive impact, but so is "Black Red Roses" with it's catchy persuasive swing, and "Numedak" is simply sounding like the Dead can indeed Dance. "Darkest Eyes" is Iron Maiden like Maiden never managed to be and "The Shape of Things to Come" is simply the track I was hoping Queensrÿche would release in the last decade. Again, it's that good!

The strongest point of Masque of Death is it's capability to move the listener and make him or her feel really thankful to be "Alive". And to kick it in the m**her**cking a**! The songs are quite long, with an average of 5 minutes each, but there is never any dull moment going through this magical piece of Efteling Metal. As it suits a Spanish band typically, you will hear many acoustic flamingo style passages performed in a way only the Spanish can. And though the songwriting is very catchy and the main vocals butterscotch sweet, this album should be most able to impress the die-hard metal-heads among us too. Lots of tempo-changes and surprisingly clever fills, and lots and lots of passion, it all adds up to a legendary debut.

And, boy oh boy, that voice! That voice!

Visit the website:
Rating: 99/100